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Friend Dog Studios – Funniest Guys I’ve Seen in a Long Time!

Friend Dog Studios are the funniest comedians/actors I’ve seen in a long time.  And trust me, I’m old.  I’ve seen a lot.  I have two children…one of them is a teenager!  We all need to laugh.  It’s a scientifically proven fact.  Something about blood pressure, reduced cortisol levels, dopamine…I don’t know.  All I know is that I feel better after watching their videos, and who doesn’t want to feel better?  Perhaps even good?

 

Okay, three guys walk into a bar…(I had to do it!).  Yes, it’s one of the oldest and most cherished opening lines of a joke, but in Friend Dogs’ case, it happens to be true.  Well, I don’t know about the bar part but there are three of them and they’re young and carefree; they could’ve met in a bar.  Regardless, Brian Huther, Seth Macchi and Ben Auxier are partners in this wildly funny group, and their chemistry and talent come together in ways that make me hold my sides and guffaw.

 

My Favorite Webisode So Far

So far….it’s hard to choose, but I think I have to go with, Art Work.  It’s one of their earliest pieces, #4 in their Webisode.  I love it because I remember being young and wanting to change the world with my art.  I also remember having jobs that closely resembled the “hitting thumb with hammer” job.  I too was a “why guy” or gal.  So, I’m starting off my love fest with Friend Dog Studios with Art Work.  The only “why question” you’ll be asking yourself is, “Why can’t I see more?”.  Don’t worry, you can.

 

My Favorite Sketch So Far

This may be slightly annoying to them, I don’t know, but while all of them are great, my favorite is the Drunk Trump series.  Come on, in this crazy political climate where reality plays more like comedy, we need this.  I need this!  Brian Huther’s frighteningly realistic portrayal of Donald Trump as a drunk frat boy is not only dead on, but funny enough to keep me (and others, I suspect) from running out into traffic and setting our hair on fire.  Thank you Brian!

Okay, One More.  Just because I love it.

Siri Beatbox Rap  If you don’t love this, you don’t love music, romance, strange internet relationships, and a whole bunch of other stuff that Siri can probably tell you about.  Ben Auxier, if Siri can’t see what a great guy you are, there are plenty of other platforms that will!

 

 

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KickStarter – Love It Or…No, Just Love It!

POW!cast Episode 46 – The Ups and Downs of Kickstarter August 10, 2016 by John Hale On today’s episode we learn about what it takes in order to get a successful Kickstarter off the ground…
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Interview! JASON TURNER·Creator of Iron City Chronicles

What got you into film and videos?
I am a child of the 80’s. My parents let me watch fantastic films and sometimes I would watch scary films that I wasn’t supposed to be watching at a friend’s house. In grade school, I was doing my own stories on cassette tape and eventually, when I was able to play with a video camera, the filmmaking bug had bit me hard. I was always studying films, trying to figure out lenses, lighting, and the tricks that make the professional things look so good. I was particularly drawn to Star Wars, Blade Runner, Excalibur, Robocop and The Terminator.
If you had to choose one particular movie scene, what would it be? And how did it influence you or your work?
There are so many, but the Tech Noir shootout scene from The Terminator was such a beautiful scene. The music, the haze, and Arnold Schwarzenegger wading through the crowd. I saw that on a summer night with my Dad and my brother at a drive in. To a young boy, this was really exciting stuff. The guns, and the fact that the bad guy was like villain in a slasher flick, except that he was a robot underneath his skin. I was just completely blown away, and wanted to make dark, atmospheric stories that could excite as well as terrify.
What elements did you consider when making the campaign video?
I mostly thought of how I wanted people to get to know who I was and where my film making inspirations had come from. I am very confident in the work I have produced so far, and if the right people had a chance to see it, they might be interested enough to give the project a chance. I don’t do anything halfway. I go full tilt boogie!
How did you come up with the storyline? What inspired you? Who inspired you? I came up with the character in high school, and just sketched him for a long time. I wanted someone who was tough like Robocop, cynical like Deckard from Blade Runner, and had a dual personality similar to Batman. I wanted to play a comic book character essentially, but have more underneath the suit that just an angry anti-hero. This guy has lived through some interesting times and has a bit of a dark past that he tries to escape. As for the biggest inspiration, other than Arnold Schwarzenegger, I really looked up to Harrison Ford, Peter Weller, and Kurt Russell. These guys were in some amazing films. As for directing and style, my man Ridley Scott has the best eye in the business, as far as I am concerned. I really enjoy interviews with him and behind the scenes documentaries. I learned a lot by studying his work.
What tools did you use when shooting the film?
Lots of props I had collected or built over the years, and called in some favors with a lot of talented friends. We primarily shot on RED, but the animation, was Adobe based with Photoshop, After Effects and Premiere.
What’s the best film making tip you’d like to share with our readers?
Film school if you can afford it. But the best training you could have is to be on a film set. Learn every job, and do every job if you can. It’s hard work, but if you stick with it, you can learn a lot of secrets and be proficient in making your own films that much better. Get a business card and always have it handy. You could get your next gig from doing a good job on your current gig.
How about casting? How did you choose the cast members for the film/video?
I wrote the main part for myself, as I was getting frustrated with the acting opportunities I was not able to secure. I have since been getting more and more challenging roles in the years leading up to now. As for the other parts, I chose friends who I knew I could count on to get the job done. There were a few parts where auditions were required. I study people’s reels, look at their film work, and then offer a part. I know talent when I see it. And I am blessed to have several talented people who agreed to work on this.
What do you think will make this film so special?
The world that is presented is unique and has a lot more room to grow. Cyberpunk has vast possibilities and we’ve just scratched the surface.
How is this different than your most recent projects?
It is something that has to be seen to be understood. I have worked on many dramas, but this one is so dense and vibrant, that it really stands out. I did a lot of physical work, fighting and using body language to express emotions. Similar to a creature suit performance. See the shorts and you will understand.

 

 

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Kansas City Film Festival -Some Good Faire!

Kansas City is generally known for two things:  barbecue and jazz; okay, baseball too, sometimes mobsters, cattle trading and trainstops…  Two of the major film presentations this year deal with both barbecue and jazz and how they shaped the history of our great city.  iActing Studios’ film critic, Jason Turner attended the Kansas City Film Festival and found some food for thought, some weirdness, and some wonderful.

The Kansas City Film Fest

It’s happening.  Kansas City is a happening place. While some people who visit the city will talk about the recent World Series win by the Kansas City Royals, or the fantastic barbecue places such as Kansas City Joes, Jack Stack and Gates, or even the reason that gas is always cheaper over the state line, one thing that people in certain groups are talking about is the film scene.
And what a scene is has become.  Many of our local talents and directors have been showcasing their work.  Patrick Rea, Michelle Bratcher, Kyle Kelley, Nicholaus James, Jeffrey Staab, Davis Derock, Jessi Burkette, Jasmine Abou-Kassem, Krystal Heib, Tosin Morohunfola,  Caleb Hermann, Brian Paulette, Megan Flynn, Chris Bylsma.   Some of these people you have heard about.  Some may be new to your ears.  But all are local. Or some have started here and moved into the big leagues.
Like OH MY GOD WAR MACHINE!  I mean…Don Cheadle.  Yes, he’s from around here too.  And it was a delight to see him and his film “Miles Ahead” .   He is doing very well, indeed.  From tent pole Marvel films to independent films.
That’s not to say the international films are not shown here. There are several that really put a pleasant contrast.
I have only two complaints about the film festival. One is the scheduling.  It is hard to cram so much content one would want to see in a small block of time, but this is a complaint from other film festivals I have attended in the past. The good news is, that several of the films are now or will be available in theatrical screenings or online.  So if any of you filmmakers are reading this, keep the public informed where your next screenings will be and word of mouth is always going to be your best friend, or worst enemy, depending on your efforts.
The other is the attendance, which ties into some of the scheduling issues.  After watching a block of films, some people fall asleep in the later blocks. This is somewhat balanced by the Monster Energy drinks that are readily available before attending screenings.
And of course, the staged readings, which are with some rising talent and experienced talent.  Writers get to hear their words that they have labored over breathed to life.  If you’ve ever written something, this can be very tense but also very exciting.
The KC Film Fest is growing and I encourage everyone to attend every year.  There is plenty of networking, local charm and most importantly stories.  Working on films is some of the hardest and most challenging thing you could do.  But as a community, we can make it better by building alliances and working with people you may not have heard of.
I am saying this in earnest, because I feel some people tend to work with the same groups.  Naturally, you want people you trust. And if you wrong someone in the community, the word of mouth comes into play again.  But overall, life it short. See some films.  And pay attention to this city.  We have diverse locations, great food and a recent tax incentive that will bring an economic kick in the pants to our city.  If films can do this well, in a very passion based momentum, imagine what our local actors and crew could do with a serious budget film coming here?   It’s sad that we have to watch many films go to other cities, but its comes down to the money.
That is not to say the film community wouldn’t survive, but it certainly could grow so much more.  And it starts with you.  The citizens of Kansas City!
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Some Short Films

“The Boots”
When we feel abandoned and have no hope, that’s just a new beginning.  This children’s tale with an adult message is the story of some boots that are having bad days.  No dialogue, all visual. There are a few seams showing, but it was very well staged and the sound mix and voices that do flitter throughout got appropriate “awws” from the audience.  Hiroko Kobayashi has a short film in which the moral tale is uplifting and worth a look.
“Discerning Days”
Emily Herold’s short film is about a young man’s day to day struggle that revolves around his inability to wake up every morning.  While the premise leans a bit toward a science fiction element of a man who picks up women so easily, blah blah bla- BOOM!  Kidding!  Actually its a stumbling through life tale that has a solid performance from Kyle Dyck. His blue eyes are honest, and his desperation is strange, but interesting from the male gaze.  Each time he wakes up, there is a sense of panic. The film has some great visuals from Emily Herold, who was also director of photography. Check it out when it plays again.
“Jasmine”
Krystal Heib’s suspenseful dark comedy about a mysterious woman and her online dating experiences is simple and elegant.  A current trend that recently pops up about current dating is that what you see (online) is not what you get (in person).  There is a sultry mystery by the enigmatic Jasmine Abou-Kassem.  Her smile is trance inducing, with a clever slow but tantalizing slow burn of her reveal. Her true intentions are revealed with restraint. And it is sexy.  The other performances, including a fun turn by Kristin Rea, are set up and paid off in supernatural ways. The cinematography by Christopher Commons is haunting and humorous at the same time.  This is the tip of the iceberg for Krystal Heib, showing much more growth as a director. It works as a concept to a larger story that could have a “True Blood” type of following if the right investors with deep enough pockets came to gaze at the alluring eyes of Jasmine.  Just wait….
“Split-End”
A slice of life tale about a girl who is hit on by another woman’s husband at a party.  Eddie Shieh’s short film tells a narrative with good pacing, and has the events happen at a party trope embedded.  While this could be seen as a fault, it actually lends some validity to the events that unfold.  Good visuals and performances, with personal conversations taking place through text and phone calls.
“Mikelis”
In a hotel room in Brussels, Mikelis is waiting for what he knows will be his last visitor.  Marc Bethke’s dark tale has a foreign film charm, and looks amazing.  The story takes a turn that the audience sees coming, but it still is masterfully played with great actors.
“The Light Thief”
When the essence of love is snatched from people and locked away in a vessel, what happens to them and how do they change?  Eva Daoud’s visually arresting film shares a similar tone with Krystal Heib’s “Jasmine”, in that a supernatural element is at play.  One of the longer films, this one has almost a Twilight Zone feel, in the best way possible.  The woman who turns into a husk of her former self due to the loss of love is a very direct metaphor for sexual promiscuity.  One of the better films overall.
“The End of Blessings”
Unfortunately, for most of us, we often don’t know we’re being blessed until the blessings stop. John Rice’s film poses some theological questions in a cyclical form.  Very much a bicycle film about faith, this one puzzled me at first.  But after time to reflect, it was a solid short with repeated imagery that has a psychological effect in a conventionally narrative conundrum.
“UN HOMME ET UNE FEMME”
A man and a woman at the crossroads of their relationship must decide whether they have a future together or if its time to end it.  Jon Davis gives a thematically interesting piece, as the sun is about to set in real time, with the one long shot.  There is a lot at stake.  Jessi Burkette has grown a lot as an actor and is doing more and more niche pieces. Usually these types of relationship shorts are tiresome, but this one tries something a little more interesting as the sun is about to set on their romance. The only thing that would make that title seem more appropriate is if the actors did their dialogue in French.  Worth a look.
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iActing KC Community

We’re dedicated to bringing you the latest “goings-on” in the acting world of Kansas City.  From film and theatre reviews to locally shot films and webisodes, crowd funding projects, local film festivals and film/theatre groups.  We’re on it!  We want you to be too!  For local Kansas City acting classes go to:  https://iactingstudioskc.com

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More Shorts!

“Winter Hymns”

A twelve year old’s dull afternoon is shattered when his volatile older brother bullies him through the wintry countryside in search of adventure. Dusty Mancinelli’s short film might owe a lot to “The Good Son”, which has a similar nastiness.  The boys are night and day in behavior, and in order for a plot like this to work, the parents are notoriously absent. A dark little tale that makes your inner parent want to discipline the devilish brat.

“Daddy and Me”

A theater student recounts the life choices that brought him to the stage. Mark Yeazel tells a familiar story of a parent who is reminded of a former spouse in a child’s defiance.  A football player is what the father is grooming his son to be.  However, the son follows a different path. This short is told in a way that would fit well in an after school special kind of way, and has a hopeful conclusion.

“Strong Hearted”

A father is picking up his daughter up from the hospital after open heart surgery.  Kyle Kelley’s short has an inspirational vibe, feeling very much as if it could have been part of the Steven Spielberg’s “Amazing Stories” TV show.  Things are not always what they seem.  Excellent performances by all involved and gorgeous visuals from director of photography Nicholaus James.

“Dispatch”

A rookie 911 dispatcher receives a strange phone call plunging him into a tense waiting game.  Based a on true story, Caleb Herrmann’s salute to this integral part of law enforcement features solid performances throughout.  Most people never get to talk to 911 dispatchers, and when they do, there is usually dire events taking place.  This is an interesting look on the other side of the call.

“Parallel Chords”

The true story of a young violinist struggling to assert her individuality amidst the intense pressure of the pianist father.  Catherine Dudley-Rose’s film seems like the cliff notes of a much larger story. This was confirmed in a Q&A briefly after the screening. The editing and music are very frenetic, giving the piece a bit of a challenge to keep up with. But while a casual viewer could see an art film that is all over the place thematically, this one has an honesty and a deep love of classical music and paternal bond between father and daughter.  The discipline required to master this musical challenges is glimpsed  against youthful desire to run away and be spontaneous.

“RSVP”

A gay man attempts to fulfill his partner’s final wish by spreading his ashes on his hometown beach.  The family who has disowned the deceased is absent, and the surviving partner has an emotional farewell.  Shannon Beeby’s film is dreamlike, and is very bare bones  by telling a lot of story with simple locations and scenery.  The only fault I see with the film is the main actor has a breakdown and becomes unintelligible.  This could have been a sound mix issue or a deliberate point, as the tone is somber and grim.  Still, this film shows promise, and the filmmaker’s future efforts have a good foundation to build upon.

“Tipping Point”

Meagan Flynn’s short is based on another true story.  A young girl is trouble with sexual situations with an older man.  The piece has excellent performances, and would be right at home on a tense network television courtroom drama episode.

“Before the Bomb”

10 year old Elsa decides to take matters into her own hand when a visit from Child Protective Services threatens to separate her from her 5 year old brother, Morris.  Unfortunately, this story feels too real as children are becoming adults in a home where the parent is absent in body and in spirit.   There is some humor to balance out all of the grim moments. Tannaz Hazemi’s film is a strong effort, with the children being the centerpiece of the film’s struggles.

“Cowboys”

A local TV celebrity, estranged from his son, takes a young cancer patient to the races.  Bernabe Rico’s film is honestly best of the shorts. The reveal of the boy’s nature melts the ice cold resolve of the TV celebrity.  This short was the only one that made me tear up a bit.  I mean somebody was cutting onions! It also made me call my Dad.  See it if you can.

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KEEP IN TOUCH

 

In the world of online communication, sometimes details and important events are glossed over.  What happens in that timeframe?  What about friends from your childhood?  In his directorial debut, “Keep in Touch”, Chicago-native Sam Kretchmar (who co-wrote and shot the film) paints an intimate portrait of a relationship based on a deceptive front.

After a major crisis, a man attempts to track down his long-lost first love, only to discover that she was killed many years prior. His online search leads him to her younger sister, an aspiring musician who bears a striking resemblance to the girl he used to love. Quickly becoming obsessed, he arranges a not-so-chance meeting and a relationship blossoms between the two before he has a chance to disclose his true identity.

On the one hand, this premise sounds like a cautionary tale.  How much information can someone get from simple online information searching?  The fact that the younger sister, played with a natural charm by Gabbi McPhee, puts her information out for all to see makes this seem like a plausible effect.  She is a singer songwriter in real life, so its safe to say this character was cleverly written for her.  She is a delight to watch, and seems real. Geniune.  Her original music is featured and complements her character.  If you’ve ever been to a live show, with a singer and an acoustic guitar, you’ve seen this person before.  However, in the role of Jessie, we get to see where some of the music comes from.  She is a human being, and we, as the audience fall in love with her, and all of her quirks and sweet moments.  Gabbi McPhee, who resembles Jessica Alba, could have a side gig as an actor between the musical endeavors.

Ryan Patrick Bachand, who plays Colin, is the centerpiece of the story.  His vulnerability, and deception come from a very honest place.  Even though his intentions are unclear at first, you cannot help but want to know what’s going to happen next.  His struggles, frustrations, and pain he goes through are something that gives weight and dimension to his journey.

And that’s just the tip of the iceberg.  The journey shows a character arc in a structure that feels familiar, but is very entertaining and emotionally engaging. The flashbacks, the moments where a tragic event alters the course of Colin’s life, are told beautifully and cleanly. Many independent films have the love story with a past.  What does that mean?

I felt something while watching this.  If you are a man in his thirties, and have had a special girl in your childhood, this movie will move you.  But there is much more than that.  The balancing act of any good story is keeping some levity involved.  How does this film do that?  It’s surprisingly funny.  Particularly scenes with Colin’s cousin Brad. This has some of the humor that family will understand as well.

The cinematography uses practical locations and the cold winter months to a degree that gives the film a tone that underlines the struggles. Our main character is cold, sometimes cuts himself on broken glass, and is in more than one fisticuff.  The environment is a good character in the piece as well.

If you say this is a boy meets girl story and why should anyone see it?  Actually that story takes place long before the story proper begins.  And it’s a charming one that leaves you wanting more.

I am very curious to see what this team does next.

What We’ve Become

“We may through with the past, but the past is not through with us. The past is never ended; it isn’t even past.”  Jennifer Nelson’s film “What We’ve Become” a story set in Kansas underlines this theme with an earnest portrayal of the homecoming of a writer, who escaped her troubled childhood.
Stephanie Golden is a New York resident, soon to be married.  When news of her mother’s heart attack reaches her, she drops everything to return home to see that her family is struggling emotionally. There is her younger, waifish sister, Monica, who finds comfort in hard drugs and alcohol, and her angry brother Hans, who is struggling to take care of his daughter alone.  It is clear that their father has had a severe impact on everyone in the family.  Monica still carries a sentimental attachment to the father, although a scene from the past, which pays off visually later, shows where some of the darkness originated.
Stephanie is a person who seems to be pushed around.  She has an emotional vulnerability when running into a former schoolmate who has grown into a handsome rugged male fantasy right out of a romance novel.  This is one of the few parts that feel a little off base, such as when he refers to his tattoos,  as if to say “Look at my purposeful scarring.  I’ve got some baggage.”  We can see your tattoos.  You don’t need to point them out.  I understand why this was put in the film, but it took me out of the story for a minute.  A simple edit could have removed this link.
This minor gripe doesn’t pull away from the heart of the story.  The strongest theme is that of making choices, and not running away from your past – dealing with your demons. There is a lot of backstory that takes place in expositional conversation, but does so with good performances by all actors involved.  Addiction is a subject that is approached with some authenticity, and one suspects that these stories are based on real people with real problems.
This is another good looking film by cinematographer, Jeremy Osbern, and Through A Glass on board.  The tone of college town Lawrence is filmed by someone who knows the city and every location.  This makes the film seem much more tangible, and not a studio piece.
  Brian Paulette, with cold blue eyes, hides a humanity that makes us want to see more of his character.  He even has the opportunity to play with his real daughter, and this enhances his character on a different level.
Crystal Arnette, as Monica, really shines and is brave in her portrayal of the drug addict who is bruised from her terrible childhood.  There are times when she looks a lot like Rooney Mara, from the David Fincher version of the “Girl With the Dragon Tattoo”.  Her delicate features really hit on that “person in trouble” performance, and she does so with a sense of real abandon.  She will be in more films, guaranteed.
Finally, Diana Dresser, is the core of this film’s struggle.  We see her react to how dysfunctional her family is.  It’s as if the damaged goods she left behind are hanging on by a thread.  Her performance is honest, tender, and makes the audience feel a range of emotions right along with her, as she discovers them.  With vulnerable blue eyes, you can see how this situation affects her character.  A commendable performance and worth seeing the film.
Overall, this story is one that we have seen before, but it is told with passion and is a story that needs to be told.  I look forward to seeing what Jennifer Nelson works on next.
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Miles Ahead is Miles Above!

 

2016-04-16 00.14.32.jpgJason Turner at the 2016 Kansas City Film Festival with two beautiful actresses.  (Sorry, we don’t know their names.)
This is not your typical review of a film, but this is not your typical film.  Be patient, fellow movie watchers.
I wasn’t supposed to see this film.  It seemed the universe was against me at The Kansas City Film Festival.  “Miles Ahead” the biopic directed and featuring Don Cheadle, was sold out.  No tickets could be purchased.  I was put on a waiting list.  I just wrote it off.
Then an email came from the event, saying a couple of seats had opened up.  I got my ticket quickly, with the Gold Pass purchased by my editor.  I drove like crazy.  And of course, ironically, the theater was literally “miles ahead” on I-35.
White knuckled, I thought.  “How much of this will I miss?  I’ve heard Don Cheadle is from Kansas City.  I really would like to see it.”  Yes, there is a part of me that thought of the actor from “Boogie Nights”, and many, many other films, including a dream role as War Machine in the Marvel Cinematic Universe.
But this film was supposed to be about Miles Davis, who I knew very little about.  I have heard of him, but never really grabbed any of his work to listen to.  I’ve heard various music over the years that he was a part of, including several film soundtracks.  So my curiosity was mounting with each passing moment.
Finally arriving at the theater, I struggled to find a parking spot.  My lady and I were thinking that again, the universe didn’t want us to get to see the film on time.   After getting into the theater as quickly as we could, somehow we got behind a huge crowd that had just gotten out of a major release family film.  I was getting impatient with complete strangers.  It was not their fault we had all of these setbacks, but I had to restrain myself from pushing some lumbering people along!  They didn’t have anywhere to be as quickly as I had to, obviously.
Finally getting into the theater, there were what seemed to be rows of seats with a reservation.  These were the good central seats.  “Reserved for family and friends of Don Cheadle.”  My blood started to boil, because I just wanted to sit down!  Finally finding two seats in the far back was a sigh of relief, after stumbling through people’s legs and trying not to be “that guy”.  I reached the seats only to find that there were two very large purses with two women eyeing me to give me the bad news.
Yes.  Those seats were taken.
I nearly lost it.  Are there any seats that are not reserved or being purse cushions?  (Later, these people had no one sitting next to them.)
So we finally got all the way to the front –  The seats I loathe.  I like to have a big screen, but not count the pores on the lead actor’s skin.  As the movie was starting, I thought about just leaving.  The friends and family of Don Cheadle were late or just changed their minds.  I thought of sitting in their seats but I didn’t want to be rude like the audience members hoarding seats that were never taken.
Then the movie started.
Jazz trumpeter Miles Davis tries to recover a stolen session tape from frustrated music producers.  On the mend after an old heartbreak, Miles Davis is presented as a drug using, broken man.  His passion for his work is still there, but he is in a period of gestation. Something is coming but it’s the journey to get there that this film chooses to explore.  It has many interesting ways of presenting time in a fluid manner.  Every time the film was reaching a crescendo, there was a change in time, location and characters using – match cuts, but they worked. The editing highlights the brave nature of storytelling in a unconventional way.  We witness some of the musician’s good days, as well as bad, including meeting the love of his life, played masterfully by Emayatzy Corinealdi.  This film has a lot going for it, adapting from slow burn moments to fever pitch drama.  Most importantly, which several biopics seem to forget, is that the man presented is a human being.   Ewan MacGregor is very interesting as well, and in many ways is the audience’s point of view, if they are not as familiar with Miles Davis as some might be.
 A ten year passion project for Don Cheadle, who also directed, co-wrote and co-produced the feature, this story aims for insight by striving to match its own form to that of its subject’s music.  The titular character’s improvisational tunes repeatedly defined the course of modern jazz.  There is a timeframe improvisation of Davis’ turbulent personal and professional life that’s enhanced by an outsized lead performance.  The film is set to open next year through Sony Classics, though its all-over-the-place style might hamper mainstream theatrical interest.
After the film, Don Cheadle himself stepped in the theater to do a Q&A about the film.  He summed up some of the struggles, such as financing woes (financiers dropping out, waiting for funds to show up) and marketing to a narrow audience familiar with Miles Davis.  He referred to some of the post production team as “Mugicians” because they were adding music to match what was being played on the screen.  If you know anything about sound and music post, that is an impressive feat.
And the music itself is great.  The amount of music that Miles Davis was involved with spans decades.  Mr. Cheadle mentioned the difficulty of getting music cleared for use in the film, as different tracks belonged to different people.  The family of Miles Davis was apparently very supportive.
As for Don Cheadle himself, it was slightly surreal to see him in person, and hearing his voice over a microphone in the same room.  He was kind, polite and had a great sense of humor.  One question that arose was if he had difficulty directing himself.  He mentioned that it was easier than you might think, because he didn’t have to pull himself into a corner to talk about his performance.
Overall, I commend his tenacity and effort and the entire team behind the film.  The film is set to have a nationwide release soon.  I highly recommend that you see it, especially if you have even the slightest interest in this legendary jazz figure and the unconventional filmmaking used to tell his story.  I’ve taken to doing more research into the music of Miles Davis because of this film – A film that wasn’t supposed to be made – A film I wasn’t supposed to see.
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Fans, Fiction, and Representation: A New Hope

We wanted to add this interesting perspective to Jason Turner’s review of “Star Wars – The Force Awakens”. Clearly, many people have strong opinions on more than the story. Tell us what you think! This article should be re-titled, Why Characters Really Matter.

Longreads

There’s something about Star Wars: The Force Awakens that feels both delightful and urgent, as if it were both a joy to create and a story that must be told at this particular moment in history. People who lined up to see the film when it released last December—and then immediately bought tickets to see it again—are now buying the DVD or Blu-Ray or streaming version so they can watch The Force Awakens for the fifth (or tenth) time at home. They’re also creating fanart, writing their own narratives, and celebrating the idea that the Hero’s Journey has been opened up to a new group of heroes.

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